- Richard Boulet’s If I May Digress at Canton-Sardine | Review by Jeff Lee | 27 Jan, 2026
- Richard Boulet: If I May Digress | Review Evelyn Skyberg Greer | Jan, 2026
- Xiangmei Su at Canton-Sardine, Vancouver | Review by Lin Li | Mar, 2024
- About the Curator’s Sauna| By Steven Dragonn | Nov, 2023
- Computer Whisperer: tunnel vision through a socket of Ido Radon’s artwork | By Hannah Möller | Oct, 2023
- We know they are watching you, you know they are, and they know that you know // Wang Guofeng at Canton-Sardine| By Kristin Man | May, 2023
- Jeff Wall’s Vancouver and Documentary Landscapes | By Lam Wong | Mar, 2023
- Jeff Wall at Canton-sardine| By Andrew Witt | Feb, 2023
- Jeff Wall: Early views of Vancouver prompt reflection on changing times | By Andrea Valentine-Lewis | Feb, 2023
- Epistolary Sorrows: Notes from Underground Love | by Rhys Edwards | Oct, 2022
- GHOSTS FROM UNDERGROUND LOVE | by Elizabeth Newton | Oct, 2022
- Ghostly whispers of clandestine love reverberate a century later | by Song Xianjun | Oct, 2022
- CHAWAN Historical Developments | by Bryan Mulvihill | June, 2022
- The Tea Bowl is the Lotus Flower | by Lam Wong | June, 2022
- Weng Fen’s “The Vanishing Landscape” | by Kristin Man | May, 2022
- Vancouver: Trying to see the sea, like fathoming love and the unconscious | by Dion Kliner | November, 2021
- Iron Curtain Fantasy // Image Bank: Cultural Ecology of the DDR at Canton-sardine | by Rhys Edwards | July, 2021
- A Short Description of the DDR | by Vincent Trasov | June, 2021
- This World is a Heap of Wonders, On Narrative Logic of Wang Qingsong’s Images | by Xiaoyan Yang | March, 2021
- The Remains of a Journey: Individual Memory and Mass Migration| by Gu Xiong | January, 2021
- Facing Mount Everest, praying for the future – Wang Yiming’s artistic actions are presented in Tibet | October, 2020
- Eli Bornowsky – A Way to Finish Thinking | by Lucien Durey | May, 2020
- Review：Immortal of Play | By Debra Sloan | November, 2019
- Emotion, gender and power | By Laura Nys | 2016
- Daido Moriyama: His Presence Appears to be the Ultimate Fantasy for Chinese Post-80s Generation | By Steven Dragonn | Feb 2016
- When We Were Young — Imagination of Youth in Zhang Wei’s Work | By Xiaoyan Yang | March, 2010
- Back to the Road of Object — Zhang Wei’s View of Youth and Practice in Oil Painting | By Xiaoyan Yang | December, 2008
- The Choices we are faced with (Chinese) | By Xiaoyan Yang | 1986
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